Image (Credit): The original Enterprise model, which is made from solid wood. (Heritage Auctions)
You may have thought the original USS Enterprise from the Star Trek series was at the Smithsonian Museum, and you are right. Mostly.
In 1974, the Smithsonian’s National Air and Space Museum became the proud owner of the 11-foot long USS Enterprise model used in the television series. However, there was another model that was used in the opening credits. This other model was only three feet long and made of wood. And, most importantly, it disappeared year’s ago when it was loaned to the studio making the first Star Trek movie (see letter below).
The smaller model then reappeared recently, but this time priced at $1,000 on eBay. After a lot of questions (the model was said to have been in a storage unit that was auctioned off) , it was eventually returned to Eugene “Rod” Roddenberry Jr., the son of the creator of Star Trek.
All is well that ends well. The USS Enterprise model is back with the Roddenberry family and a piece of science fiction history can be shared with public. Mr. Roddenberry said he plans to display this smaller model at the Smithsonian as well:
…I firmly believe that a piece of such importance should not be confined to any private collection. This iconic artifact should be enshrined along side the 12-foot shooting model at the Smithsonian’s National Air and Space Museum, where it can serve to help tell the story of television history, the history of space exploration and ultimately, a beacon of hope for the future.
Image (Credit): Letter from Gene Roddenberry to Paramount Studios regarding his lost USS Enterprise model (therpf.com)
“We are now standing at a turning point in history, embarking on a new frontier, and elevate this unshakable Japan-US relationship to even greater heights and hand it to the next generation. Finally, let me be conclude with a line from Star Trek, which you all know: To boldly go where no one has gone before.”
–Statement by Japanese Prime Minister Fumio Kishida at a White House state dinner on Wednesday. He was quoting part of the famous opening credits in the Star Trek television series:
These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds; to seek out new life and new civilizations; to boldly go where no man has gone before!
Image (Credit): Promotion for season two of For All Mankind. (Apple TV+)
While awaiting the return of the Star Trek and Star Wars televisions series (by the way, do not forget that the fifth and final season of Star Trek: Discovery is slated to start tomorrow), I started to watch For All Mankind on Apple TV+. I am only halfway through season two, but I have enjoyed every minute so far. I am just surprised there has not been more press about this impressive series.
I was somewhat skeptical to start the series because I knew it was an alternate reality to our actual space program. Yet what I saw as a weakness was actually the show’s strength. The series re-imagines the space race with the Russians, having the U.S. set up a Moon base after the Russians are the first to step foot on the Moon. It just shows us what could have been if we did not stop the Apollo program 50 years ago and dither around until the Artemis program.
And while the series has plenty of action – almost as though your are watching multiple Apollo 13 movies – what makes it different is that it has heart. It is almost the Mad Men of NASA, showing the good and bad of that period in terms of human lives.
For All Mankind is honest about the period from the 1960s through the 1980s, showing that the real drama was right here on Earth as we dealt with Vietnam, racism, immigration, marital and family issues, and even a lesbian astronaut.
I did not expect all of this in one show, nor the superb acting that makes it all come to life. I am now hooked on the series, finding it strange that I already have nostalgia for an American lunar space program that never existed even though it could have.
The series continues with a Mars program in seasons 3 and 4, but I do not want to get ahead of myself. Let’s just say this other America gets to the Red Planet long before we do.
We are creating plenty of drama today with the real lunar program currently under way, as well as an eventual Mars program. It may in fact lead to some great television series down the line. I just hope we stick to the script and keep the current drama going for years to come.
If you saw the recent film The Holdovers, you witnessed Paul Giamatti at the top of his game as a private school instructor (which earned him an Oscar nomination).
But if you would like to learn about another side of Mr. Giamatti, then you may want to check out his podcast with Stephen Asma called Chinwag. It is by no means a science or an astronomy podcast, yet it is a fun collection of conversations that often touch on related topics and guests, be it topics such as UFOs and the Drake Equation, or guests including astronaut Mike Massimino, writer Ted Chiang, and actor William Shatner.
Yes, there is plenty here about the occult and mind-numbing drugs, but I recommend you sift though some of this to find the gems. Below are a few of the episodes you may want to try, but don’t expect William Shatner to talk about Captain Kirk and space travel. He is too busy sharing stories about spiritualism, drugs, and his early acting career.
Paul and Stephen dig into our Chinwag mailbag for this SETI-inspired question (that’s Search for Extraterrestrial Intelligence to any novice listeners). The Drake Equation is explained and let’s just say there’s A LOT of math involved.
It’s been 60+ years since last estimates were made on the odds of finding intelligent life in the Milky Way, and Chinwag listener Rick B. wants to know, how long could a civilization broadcast its presence through technology, and what current factors might affect a civilization’s ability to remain detectable? Is there a ticking clock to our existence, and what’s Twinkie-lung got to do with all this?
In this Chinwag, Paul and Stephen are thrilled to be subject to fascinating thought experiments by award-winning fiction writer Ted Chiang. Up for the discussion?
The difference between fact and fiction when it comes to the existence of alien life, and whether Paul is indeed an assassin because he played one in an action film Ted once saw. Imaginations are running amok and people can’t differentiate between what’s real and what isn’t. Is social media to blame or was The National Enquirer the social media of yester-year? Online echo chambers and the dangerous speed of information may be a culprit for conspiracy theories. And is belief in aliens and monsters in pop culture a direct response to higher anxiety levels and an externalization of neuroses? Then, what is singularity and was it born with the invention of the wheel?
Paul and Stephen are happy to learn that Ted’s not afraid that AI will take over, but the natural desire to do less work may lead to more romances between humans and AI robots. So buckle up and plug in your lady-cyborg and get ready for an all new fascinating Chinwag!
Paul and Stephen are obsessed with UFOs and life beyond earth–so who better to add to the conversation than a guy who’s been to space twice?
This week, our intrepid Chinwaggers are joined by former NASA astronaut Mike Massimino, a man who decided that a fear of heights would be best overcome by a trip to space. In this week’s classified file: space toilets, robot arms, and why there should never be more than one comedian per space shuttle.
Stephen Asma and Paul Giamatti are giddy to speak with lifelong hero and Star Trek alum William Shatner on tequila tastings, space travel, bum drug trips, holding on to your inner child and that time he beat up an Australian Olympic swimmer on stage.
We live in a time where we have plenty of science fiction options on television and at the theaters. Be it the Apple TV+ remake of Issac Asimov’s Foundation, the current showing of Frank Herbert’s Dune: Part Two at theaters, or the ongoing television series spinning more Star Wars and Star Trek tales.
And now, starting tomorrow, we will be treated to a Netflix series on the 3 Body Problem, one of the more recent science fiction series from the mind of Chinese writer Liu Cixin. The new series based on the Hugo-awarding winning book was created by Game of Thrones showrunners David Benioff and DB Weiss, as well as Alexander Woo from HBO drama series True Blood.
So what is it about? Netflix has a paltry summary, so let’s go to the book summary itself (and the trailer):
Set against the backdrop of China’s Cultural Revolution, a secret military project sends signals into space to establish contact with aliens. An alien civilization on the brink of destruction captures the signal and plans to invade Earth. Meanwhile, on Earth, different camps start forming, planning to either welcome the superior beings and help them take over a world seen as corrupt, or to fight against the invasion. The result is a science fiction masterpiece of enormous scope and vision.
The reviews are mixed, though I am sure you will want to judge for yourself. But just in case you want some insights from others, check out these reviews:
Should you want to see the Chinese television series, you can find it here on Youtube. Or you may want to circle back to this version if you don’t care for the Netflix production.
Note: You can also find the Chinese version of the series on Amazon Prime. Rather than 8 episodes, you will find the Chinese version called Three Body has 30 episodes. I am working my way through the Amazon Prime series and so far prefer the slower-paced Chinese original. Netflix seems to rush through the ideas, whereas they are better developed in the longer series.
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