And speaking of Yoda, don’t forget to get your tickets for The Mandalorian and Grogu movie premiering on May 22nd.
May the Fourth Be With You!
Movie: The Mandalorian and Grogu
On May 22, The Mandalorian will go from our TV screens to the movie screens with the premiere of The Mandorian and Grogu.
Overall, this is the story in the film (and this trailer helps to visualize it all):
The evil Empire has fallen, and Imperial warlords remain scattered throughout the galaxy. As the fledgling New Republic works to protect everything the Rebellion fought for, they have enlisted the help of legendary Mandalorian bounty hunter Din Djarin (Pedro Pascal) and his young apprentice Grogu.
Not too descriptive, but basically the movie is a mash up of the old Star Wars icons, such as TIE fighters, Jabba the Hutt, and All Terrain Armored Transports (or AT-AT walkers), as well as the unique creations of the TV series, including our green friend Grogu.
I would have liked to see the Andor series brought to the big screen as well, but it may be a bit too cerebral for today’s movie goers. The Mandalorian and Grogu has the feeling of the many comic book superhero films filling the theaters these days, but it is still a little more than that.
In describing Disney’s new Mandalorian series back in 2020, a Guardian critic stated:
First, this is a western. Second, Pascal can do a fair bit with dialogue and movement. He is a badass, for sure, but he is also cynical and purposeful, with a weary wit. He is Robocop. He is Clint Eastwood. He is Ryan Gosling in Drive. He is not messing about and neither is the series, as an over-the-odds, off-the-books job takes our man to a secret bunker crawling with black-and-white stormtroopers, which feels like walking into an underground club in 50s Paris and finding it full of uniformed Nazis.
This is a fair assessment of what we saw in the three TV seasons. If the movie can maintain this energy, with its usual tinge of humor, it will be worth the ticket price, and more.
Television: Star Trek’s Starfleet Academy is a Solid Addition to the Franchise
I am happy to say that the creators of Star Trek have done it again with the latest series Star Trek: Starfleet Academy. It is a worthy addition to that ongoing saga.
The first six episodes of the first season form a good story arc that starts with Nahla Ake (Holly Hunter) and Nus Braka (Paul Giamatti) coming together in the initial episode, then leaves aside their drama for four episodes, and finally brings them back together for a memorable sixth episode. In the meantime, we watch the new cadets grow together at the academy under the tutelage of Nahla Ake, chancellor of Starfleet Academy.
In terms of what works versus what needs more work, let’s start with the positives:
- Nahla Ake is a very likable and long-living character (half-Lanthanite) who becomes the mother-like figure overseeing cadet Caleb Mir. She has a cat-like way of sitting and a dog-like loyalty to the academy mission that make her the glue of the show.
- The mix of instructors and cadets keep the show interesting, be it our well known Doctor from Star Trek: Voyager or the transformative Khionian cadet Darem Reymi. We have time to learn many of the character’s origin stories, including why a holographic doctor ages. This gives the show greater depth as we uncover the diversity of the academy.
- The show has a light touch with plenty of humor. My favorite character is probably Lura Thok, who is a Klingon/Jem’Hadar serving as first officer of the starship Athena. She is married to Tig Notaro’s Jett Reno. Lura Thok is that ever-present drill sergeant who seems to terrorize the cadets while amusing the chancellor. She adds the perfect amount of levity to the show.
In terms of the negatives, there are quite a few, but none of them permanently hurt my overall impression of the show:
- In the first episode, Paul Giamatti’s Nus Braka, part-Klingon and part-Tellarite, was a little over the top. I know the first episode has to capture the viewer’s attention, but Giamatti was chewing the scenery with his performance. He may have been having fun, but he was channeling Jack Nicholson from The Shining. It was good that he disappeared for a while to let the other characters shine.
- Starfleet Academy looks more like a Miami mall than a Federation facility. And when you add in the annoying robots scurrying around the corridors as well as the floating traffic jams that reminded me of the Star Wars planet of Coruscant, it was all a little overwhelming as well as silly.
- The fact that language has not changed in 1,000 years is odd. The cadets still say “bite me” while Nus Braka is stating “payback is a bitch.” Maybe this is how you attract new viewers, but does Star Trek really need to sound like every other teenage show?
Overall, it is a well done and expensive-appearing television series that breathes life back into Star Trek, thereby hopefully creating new Trekkies. This is something that the Star Wars franchise has tried as well, but almost all of the spin-offs leaned too heavily on key characters from the past or did a horrible job representing teens of the future (think of that Boba Fett series). That may be why Star Trek has two strong television series on the air this year and Star Wars apparently has only the second season of Ahsoka, which is a weak imitation of the original movies, and that’s saying a lot given that the last three Star Wars movies were a weak imitation of the first three movies.
I am glad we have at least one more season of Starfleet Academy ahead of us, and I expect many more it the creators can maintain the quality (and resolve some of the bumps) that we see in the first six episodes.
Television: 2025 Was a Good Year for Sci-fi Space Shows
Before the year is over, I want to highlight five sci-fi space television series that kept me entertained. I cannot do the same with sci-fi space movies because 2025 lacked exciting, well-made films.
Here are my top five sci-fi space television shows in order of preference.
- Andor on Disney+
- Alien: Earth on FX/HULU
- Star Trek: Strange New Worlds on Paramount+
- Foundation on Apple TV
- Murderbot on Apple TV
While Andor saw its second and last season this year, the remaining four will be returning for another season. When combined with the other new shows to premiere in 2026, such as Star Trek: Starfleet Academy, then we are looking at another good year for sci-fi space television series (assuming we do not need to wait years for the returning seasons).
I wanted to rank Murderbot a little higher, but it still lacks the energy of the books and each episode is too short to leave you satisfied. That said, it has a lot of potential and it is still a solid series.
Overall, great television made up for so-so movies in 2025.
Let’s hope some great sci-fi space movies in 2026.
Happy New Year!
Note: Apple TV’s Pluribus was not considered for this list. While it involves a “virus” from a distant exoplanet, we never learn anything about the distant civilization. Moreover, it is basically an Earth-based drama not involving any travel away from our planet.
Podcast: A Discussion with the Creator of Andor
You are in for a treat if you are interested in a deeper dive into the world of Andor. Reason magazine’s podcast The Reason Interview with Nick Gillespie has a eye-opening interview with Tony Gilroy, the creator, writer, and director of Andor. The series is without doubt the best of the Star Wars television series. The podcast discussion covers bureaucracy and the surveillance state as portrayed throughout the Andor series.
One of the questions discussed the lack of light sabers and the Force in the series, to which Mr. Gilroy noted:
One of my original questions to them, to the experts there, was, “In the galaxy—in this huge galaxy—how many people would have ever encountered a Jedi? How many people would ever know about the Force? How many people know about this family you keep rotating these movies on?” And the answer is: nobody, or almost nobody. If you’re living in the galaxy, if you’re a being in the galaxy, you’ve probably never had any encounter ever with Jedi or even know what it is, or the Force.
This type of thinking was made the series worth watching. The series did not need to be saved by Darth Vader or a Yoda plush toy anymore than a good Star Trek series should need to be saved by the Borg.
Andor also touches on something real happening just outside our windows rather than a galaxy far, far away. Mr. Gilroy notes it in this way:
The parallels to what’s happening in our world right now are even beyond moralistic…There is a giddy rush—you’ll see people cravenly move toward power because it’s gonna benefit them, or it’s warmer there, or they have no spine or moral commitment to really back up…People getting on board something—getting on board a train that’s on fire that they know is heading toward a cliff. It’s just amazing to watch the sort of giddy rush of people stripping off their clothes and jumping onto the fire here. It’s quite amazing.
Andor is the antithesis of getting along. It is about pushing back at the cost of everything so that others may someday have something worth holding. It is something we seem to have forgotten in our current situation even though we know the broken norms will not somehow reassert themselves via some outside Force. If we cannot see that we are the Force, then we are all truly lost.
Andor is possibly the one series that makes Star Wars relevant to a new generation. Gen Z does not need Jawas and Ewoks. It needs a new hope.
Mr. Gilroy understands this and shares all of his insights via the podcast. You will not be disappointed.
Our Awesome Universe 