“I say that it’s not over, it’s never done, it’s never done. Because I always say the fans are the other half of what we do. So, I there’s a world for Ortegas that still exists, without giving anything away. She’s a character who I think was just a wonder to play. I’m so happy that they created the character in the first place. And as a pilot, as a maverick, as somebody who I have gotten to see has influenced so many younger fans, older fans, I keep saying it’s not over. There’s many places yet for Ortegas, and the world that she lives in to go.”
-Statement by Melissa Navia, who plays Lt. Erica Ortegas on Star Trek: Strange New Worlds, during an interview with Trekmovie. Season four of the Paramount+ series premieres on July 23rd. Filming for season five was completed late last year, with this final season of the series expected to be broadcast in 2027.
It’s not really about Paul Atreides. Paul may be Lisan al-Gaib, he may be the Kwisatz Haderach, but Paul is not actually the main character of the Dune franchise. Instead, that honor goes to the character introduced in the latest trailer for Dune: Part Three, the character you knew as Duncan Idaho. The latest trailer shows the internal fractures in Paul’s (Timothée Chalamet) life as he continues the Fremen jihad launched after he dethroned Padishah Emperor Shaddam IV (Christopher Walken) at the end of the previous movie. His partner Chani (Zendaya) feels betrayed by his actions and his legal wife, Shaddam IV’s daughter Princess Irulan (Florence Pugh) joins the plot that the Face Dancer Scytale (Robert Pattinson) launches against him. Central to this conspiracy is the introduction of the man we first met as Duncan Idaho, played by Jason Momoa. Despite what he appears to be, this man is actually called Hayt, and he is the most important character in Frank Herbert‘s Dune novels.
Imagine a future Earth where bodily and mental modifications are the standard. The internet, riddled with rogue AI, has become a sequestered and dangerous pseudo-entity known as the Snarl. Humanity has expanded beyond Earth to settle on other planets. The forefront of technology includes spaceships made from synthetic organic materials resembling internal human organs. In central focus of this society of the future, and in focus of the novel to be discussed today, are a collection of six metallic coin-shaped technologies called niks. Niks are implanted in the brains of a lineage of children, giving them incredible powers of intuition—and lifespans that end at the onset of puberty. When one child dies, the niks are removed from their head, and the next child is chosen. This initial description can hardly begin to cover the scope and depths of The Sixth Nik, a new science fiction novel from the accomplished Daniel Kraus.
Foundation Season 4 still has no official release date, but it is expected to arrive in 2027. The explosive Season 3 finale set up some great storylines that both extend what’s already been adapted from the Isaac Asimov novels and other subplots that are original to the Apple TV project. Like many familiar with the source material, I was caught massively off-guard by the writers changing the true identity of the Mule at the end of last season. It was one of the biggest twists in the novels, and the adaptation was bold enough to include a huge bait-and-switch. As such, I think it’s fair to say that reading the books doesn’t guarantee knowledge of what’s to come in Foundation Season 4.
Note: Do not forget to watch the third official trailer for the upcoming Dune: Part Three movie.
Star Wars: The Mandalorian and Grogu” is struggling at the box office, dropping 61% in its third weekend and falling out of the domestic top five. The Jon Favreau-directed film had a soft opening, earning $98 million over Memorial Day, less than 2018’s Solo, and suffered a 69% second-weekend drop. Now projected for $9.5 million, its domestic total nears $155.3 million against a $165 million production budget. It faces stiff competition from new releases like “Scary Movie” and “Masters of the Universe.” Furthermore, low-budget indie hits like A24’s “Backrooms” and Focus Features’ “Obsession” are outperforming it, alongside a strong $22.1 million debut from YouTube’s “The Amazing Digital Circus.”
“It’s my first film that will be considered science fiction that I do not consider to be science fiction,” Spielberg said in a recent interview. “It’s much more reflective of the world as it is evolving and discoveries that are being made as we speak.”Spielberg, at 79, is trying to revive and reconsider the alien wonder that’s long lingered in his mind, from “E.T.” to “War of the Worlds.” “Disclosure Day,” Spielberg’s first summer movie in a decade, is already being hailed as one of his best in years. But this time, Spielberg is testing whether he can conjure some of his trademark movie magic less with imagination than with conviction.
While the talk of space, science and ships orbits surround the narrative, “Star City” is riveting because of its characters. For fear of sabotage, death or something even worse, no one in Star City can reveal who they truly are. Instead, the audience is offered glimmers of the truth here and there, which act as puzzle pieces throughout the eight-episode first season. (Critics received five for review.) Cloaked in a gloomy gray tone coloring for a prison-like setting, “Star City” creators unveil not simply a stifling world, but one on the verge of consuming itself and its genius with tyranny and ghastly rigidity.
Bill Maher has invited Dr. Tyson multiple times to his program, and it is always a fun show.
The interview covered a variety of topics, but one interesting discussion (following a discussion about anal probes) revolved around how Hollywood almost always portrays aliens as humanoid versus something completely different, such as the rock-like alien in the book and movie Project Hail Mary.
Dr. Tyson noted that most life on earth does not look human, even though all the life on our planet has DNA in common. For example, we share about 20 percent of our genes with a banana. Hence, there is every reason to believe that aliens from distant civilizations will look as different from us as humans are from a banana. It is certainly a different way to look at the galaxy (and the missed opportunities on Star Trek). Here is a clip with him expanding on this argument.
Check out the podcast if you want an entertaining diversion for a few minutes.
Note: If you are interested in the book itself as part of your summer reading, here is the jacket summary:
Take Me to Your Leader is the culmination of a lifetime of fascination, speculation, and the amassing of scientific data about the possibility of Aliens visiting Earth. Drawing on a wealth of depictions from history, literature, pop culture, and film, Tyson applies the universal laws of physics to make the case for what Aliens might look like, act like, how they might travel through the universe to reach us, and what they might think of us upon arrival. Should such an event occur, Tyson further offers useful etiquette tips for your first close encounter.
If you’ve ever wondered why there are so many UFO sightings, or whether Aliens might already be among us, Tyson offers an informed perspective that is both factual and fun. Take Me to Your Leader is a tantalizing exploration of what would be the most mind-blowing experience of your life—the book for anyone who has ever wondered: Are we alone?
Platform Decay is the eighth book in Martha Wells’s Murderbot Diaries series, and it gives fans exactly what they love while taking the story in some new directions. If you’ve been following Murderbot since the first book All Systems Red you’ll find plenty to enjoy here...The book picks up after System Collapse (2023). Murderbot gets asked to help with what should be a simple rescue mission. Dr. Ayda Mensah, the person who freed Murderbot and is basically its closest friend, needs help getting some family members off a dangerous space station.
When Syfy began adapting Daniel Abraham and Ty Franck’s space-opera novels The Expanse for television, the authors (who write together under the name James S.A. Corey) were closely involved in the process. Over six seasons and a shift to Prime Video, Franck and Abraham served as screenwriters, producers, media ambassadors, and even walk-on actors. Abraham and Franck are set to have an even bigger role in the developing adaptation of their current book series, The Captive’s War. In 2024, they formed a production company, Expanding Universe, to produce the show, and they already have a development deal with Amazon. But the duo tells Polygon that knowing they’re writing for the screen as well as the page this time around didn’t change their plotting or process at all — which is going to cause a lot of problems in adapting the series for TV.
Shawn Levy and Netflix unite for an original sci-fi epic.The project, titled Somewhere Out There, is reportedly an “emotional sci-fi” story that is similar to Denis Villeneuve’s Arrival, which stars Amy Adams and Jeremy Renner. It also apparently resembles Levy and Netflix’s The Adam Project, featuring Mark Ruffalo, Ryan Reynolds, Jennifer Garner, and Zoe Saldaña. The plot follows a widowed father who, while struggling with the loss of his wife, sends a message into outer space. To his surprise, he receives a mysterious response from something or someone. According to The Hollywood Reporter, Netflix has acquired the script for Somewhere Out There, a science fiction film written by Max Taxe, and Levy has signed on to direct the project. The Deadpool & Wolverine director will also serve as a producer for the project through his 21 Laps banner with Dan Levine.
Our Awesome Universe 