Star Wars: Another Political Take on the Empire

Image(Credit): Senator Amidala from Star Wars: Revenge of the Sith. (Starwars.com)

While the libertarians at Reason magazine have their view of the imperial story-line in the Star Wars television series Andor, the liberal folks at Mother Jones magazine have a whole different take on the Star Wars universe.

In an article last month titled “How Star Wars Reveals Conservatives’ Authoritarian Fantasies,” we read about how some Republicans are showing support for the brutality of the Dark Side as illustrated in Andor. For instance, it quotes former Mitch McConnell adviser and GOP operative Scott Jennings defending the Empire’s elimination of Alderaan in the original Star Wars movie, stating:

I think some could argue that it was warranted, given their rebellious activities. I mean, he defended the Empire against unelected hippies and violent protesters.

You can see the entire Mother Jone’s YouTube clip here.

This is not an encouraging thought at this point in history. In an interview, George Lucas himself said the rebel alliance came from his reading of history and his understanding of the Viet Cong battle against the American empire. He saw the rebels as anti-authoritarian. He also thought of the American rebels as they fought Great Britain, the largest empire in the world.

Supporting the Evil Empire is more or less the same as voicing support for the wannabee Russian empire as it attacks democratic Ukraine. I think we all can do much better than to stoop that low.

Either that, or soon we will also be quoting the line “So this is how liberty dies.”

RIP: Ed Smylie, NASA Engineer

Image (Credit): Former NASA engineer Ed Smylie. (Bill Stafford/NASA)

Last month, former NASA engineer Ed Smylie passed away at the age of 95. He is best known for his efforts leading a NASA team that saved the Apollo 13 crew after the capsule experienced the onboard explosion of an oxygen canister. His quick efforts saved the crew, allowing them to return home safely. You can see it all in color by watching the film Apollo 13.

Mr. Smylie left Douglas Aircraft Company and joined NASA after President Kennedy made it clear that the nation would put a man on the Moon. Luckily, he was there at NASA when he was needed.

In a 1999 interview about his efforts to save the Apollo 13 mission, he was very self-effacing about his role in the entire effort:

It was pretty straightforward, even though we got a lot of publicity for it and [President Richard M.] Nixon even mentioned our names. I always argued that that was because that was one you could understand nobody really understood the hard things they were doing. Everybody could understand a filter. I said a mechanical engineering sophomore in college could have come up with it. It was pretty straightforward. But it was important.

You can also read more on Mr. Smylie’s life and career at these sites:

Rest in peace.

Movie: Mickey 17 Premieres Next Month

Credit: Warner Bros. Pictures.

Last April I mentioned the pending arrival of the movie Mickey 17, based on Edward Ashton’s book Mickey 7. Well, the movie premieres in theaters on March 7 (even though the poster above has the date 1/31/25). The first trailer was released four months back, while the second trailer came out two weeks ago. Both indicate the movie will be much wilder than the book.

Here are some of the main names associated with the film:

From the Academy Award-winning writer/director of “Parasite,” Bong Joon Ho, comes his next groundbreaking cinematic experience, “Mickey 17.” The unlikely hero, Mickey Barnes (Robert Pattinson) has found himself in the extraordinary circumstance of working for an employer who demands the ultimate commitment to the job… to die, for a living.

Written and directed by Bong Joon Ho, “Mickey 17” stars Robert Pattinson (“The Batman,” “Tenet”), Naomi Ackie (“Star Wars: Episode IX – The Rise of Skywalker”), Academy Award nominee Steven Yeun (“Minari,” “Beef”), with Academy Award nominee Toni Collette (“Hereditary”), and Academy Award nominee Mark Ruffalo (“Poor Things”).

Generally, I prefer a movie to stick closely to the book. In this case, based on what I can see in the trailers, it shows much more of the alien life on the planet, which should make it interesting. The book also had a somewhat unsatisfactory ending, leaving a lot to the imagination. I expect the film makers will want to eliminate some of that uncertainty.

Given the lack of an humor in most of the recent space films, from battles on space stations to more aliens popping out of bodies, Mickey 17 should be a nice change. If not, we will always have the book.

Movie: Star Trek: Section 31

Credit: Paramount

While we await the return of the series Star Trek: Strange New Worlds, a new Star Trek film will premiere later this month, and this time it focuses on the dark side of the Federation.

On January 24, Star Trek: Section 31 will premiere on Paramount+. If you anything about Emperor Philippa Georgiou from the television series Star Trek: Discovery, you will know she came from a mirror universe and found her home in the United Federation of Planets’ black ops division where she thrived. Later in that series, she was sent to another timeline and disappeared from the show. Well, she is back, this time running a night club.

The trailer for the new film promised plenty of action, as well as the trademark humor that follows Philippa Georgiou. She was one of the brighter spots in the Discovery series, where everyone else was usually too stressed out to have any fun.

The idea of another film or series involving the secret Section 31 has been rolling around for some time now. While a new series may have been preferable, a film is better than nothing. Moreover, maybe it will lead to more.

Just expect some fireworks from Trekkies because the film plays with the Star Trek timeline and emphasizes the dark side of the United Federation of Planets. I am not so concerned about the timeline since that was destroyed sometime ago when the films were rebooted, but the critics may have a point about the focus on the dark side. That said, we have at least two more seasons of Star Trek: Strange New Worlds to look forward to with its hopeful vision for the Federation.

I am okay with the balance. We all need some escapism, but we cannot banish the real world forever. It will leak in one way or another.

Movie: Slingshot

Credit: bleeckerstreetmedia.com

Just in time for the Labor Day weekend, we are offered a new space film that seemed to have had little publicity until it popped onto the scene. The new film Slingshot, starting today and starring Casey Affleck and Laurence Fishburne, takes us on a trip to Saturn’s moon Titan, or that is the plan.

Here is the general story (and trailer):

A psychological thriller starring Casey Affleck and Laurence Fishburne, SLINGSHOT follows an elite trio of astronauts aboard a years-long, possibly compromised mission to Saturn’s moon Titan. As the team gears up for a highly dangerous slingshot maneuver that will either catapult them to Titan or into deep space, it becomes increasingly difficult for one astronaut to maintain his grip on reality.

The trailer indicates plenty of issues with both the hardware and software – the softest ware being the mind of man on a distant voyage. Yes, we have another story about the struggle of man with himself, with space playing a supporting actor.

Fortunately, we are not dealing with a film that questions the space program, but NASA may be pleased that it is sending a robot to study Europa rather than taking chances with such fragile humans.

Here are a few of the available reviews:

Austin Chronicle:

The derivative look and feel of Slingshot – a little bit of Interstellar, a dash of 2010: The Year We Make Contact for whenever Håfström wants to add some grit, and most especially Steven Soderbergh’s Solaris remake – make it unclear exactly what kind of movie Håfström is trying to make.

The Hollywood Reporter:

It’s fairly boilerplate material, and Håfström frankly seems more interested in exploring John’s memories, nightmares, visions and wavering psyche..If you put aside all the space stuff, Slingshot is basically a one-set, one-character thriller that constantly tests the viewer’s belief in what’s happening.

RogerEbert.com:

It feels like a movie that hates its characters. And hates you too.

Now the movie has some publicity, but maybe not the type it wanted.

Go for the special effects rather than the plot.

That might work.