Movie: Slingshot

Credit: bleeckerstreetmedia.com

Just in time for the Labor Day weekend, we are offered a new space film that seemed to have had little publicity until it popped onto the scene. The new film Slingshot, starting today and starring Casey Affleck and Laurence Fishburne, takes us on a trip to Saturn’s moon Titan, or that is the plan.

Here is the general story (and trailer):

A psychological thriller starring Casey Affleck and Laurence Fishburne, SLINGSHOT follows an elite trio of astronauts aboard a years-long, possibly compromised mission to Saturn’s moon Titan. As the team gears up for a highly dangerous slingshot maneuver that will either catapult them to Titan or into deep space, it becomes increasingly difficult for one astronaut to maintain his grip on reality.

The trailer indicates plenty of issues with both the hardware and software – the softest ware being the mind of man on a distant voyage. Yes, we have another story about the struggle of man with himself, with space playing a supporting actor.

Fortunately, we are not dealing with a film that questions the space program, but NASA may be pleased that it is sending a robot to study Europa rather than taking chances with such fragile humans.

Here are a few of the available reviews:

Austin Chronicle:

The derivative look and feel of Slingshot – a little bit of Interstellar, a dash of 2010: The Year We Make Contact for whenever Håfström wants to add some grit, and most especially Steven Soderbergh’s Solaris remake – make it unclear exactly what kind of movie Håfström is trying to make.

The Hollywood Reporter:

It’s fairly boilerplate material, and Håfström frankly seems more interested in exploring John’s memories, nightmares, visions and wavering psyche..If you put aside all the space stuff, Slingshot is basically a one-set, one-character thriller that constantly tests the viewer’s belief in what’s happening.

RogerEbert.com:

It feels like a movie that hates its characters. And hates you too.

Now the movie has some publicity, but maybe not the type it wanted.

Go for the special effects rather than the plot.

That might work.

Movie Quote: Not Such an Alien World

Image (Credit): A scene from the movie Alien: Romulus. (20th Century Studios)

The production design harkens back to both Scott and Cameron’s ALIEN movies. It’s a world we recognize so there’s not much new world-building except for the brief glance at an active mining colony. What’s different is the cinematography by Galo Olivares…ALIEN: ROMULUS works as a stand-alone movie, and is probably a better experience if you come in cold, without any knowledge of the franchise. ALIEN fans bring in too much baggage and rarely can we be satisfied.”

-Statement by movie critic Lupe R Haas in her recent review of the film Alien: Romulus.

Summer Movies Are Not What They Used To Be

Credit: Macmillan Publishers

When you consider the weak showing of films this summer, particularly space-related films, its enough to make you give up and go online to revisit the classics. If you do so, you will probably bump into a number of great films that all appeared over eight weeks in the summer of 1982, including E.T. the Extra-Terrestrial, Star Trek: Wrath of Khan, and Blade Runner.

You can read all about this wealth of movie magic that one summer in Chris Nashawaty’s book The Future Was Now: Madmen, Mavericks, and the Epic Sci-Fi Summer of 1982. Here is the pitch for the book:

In the summer of 1982, eight science fiction films were released within six weeks of one another. E.T., Tron, Star Trek: Wrath of Khan, Conan the Barbarian, Blade Runner, Poltergeist, The Thing, and Mad Max: The Road Warrior changed the careers of some of Hollywood’s now biggest names—altering the art of movie-making to this day.

In The Future Was Now, Chris Nashawaty recounts the riotous genesis of these films, featuring an all-star cast of Hollywood luminaries and gadflies alike: Steven Spielberg, at the height of his powers, conceives E.T. as an unlikely family tale, and quietly takes over the troubled production of Poltergeist, a horror film he had been nurturing for years. Ridley Scott, fresh off the success of Alien, tries his hand at an odd Philip K. Dick story that becomes Blade Runner—a box office failure turned cult classic. Similar stories arise for films like Tron, Conan the Barbarian, and The Thing. Taken as a whole, these films show a precarious turning-point in Hollywood history, when baffled film executives finally began to understand the potential of high-concept films with a rabid fanbase, merchandising potential, and endless possible sequels.

Expertly researched, energetically told, and written with an unabashed love for the cinema, The Future Was Now is a chronicle of how the revolution sparked in a galaxy far, far away finally took root and changed Hollywood forever.

Of course, the book may simply depress you when you think of the current state of cinema more than 40 years later. Yes, we have Dune and the nth release of Aliens, but for the most part Hollywood is not offering today’s generation films that make them dream about a different future (and I don’t mean a future with men in spandex).

I just hope we have more up and coming Spielbergs, Scotts, and Dicks out there who read this book and take it as a challenge to make American cinema exciting again.

Movie: Fly Me to the Moon

Credit: Sony Pictures

This weekend you can see a space-related movie, but it is light fare that probably should have been released on Apple TV+.

Fly Me to the Moon is a romantic comedy centered on an Apollo 11 Moon mission starring Scarlett Johansson and Channing Tatum. All you need to know is shown in this trailer.

Dramatizing the Apollo 11 mission is fine, but the part of the story about trying to fake the Moon landing does not seem necessary, particularly nowadays when conspiracy kooks are around every corner.

The movie Capricorn One about a fake landing on Mars had a time and a place in a troubled America, but the use of a fake landing here is just a cheap stunt adding little value to the film.

Luckily, real life drama can be so much better than Hollywood drama. I think I will skip this movie and watch Apollo 13 again.

Movie: Alien: Romulus Colonizes Our Summer

Credit: 20th Century Studios

So far it has been a pretty boring summer in terms of space-related movies, but that will change in August with the release of next Alien film. That’s right, the Alien franchise is still alive and kicking.

Alien: Romulus will be released on August 16th. It will be the seventh film in this series, and set between the events of Alien (1979) and Aliens (1986). Yes, more backstory, but we know what to expect going forwards or backwards with this series. Plenty of stomach-popping surprises for all.

20th Century Studios provides this storyline:

The sci-fi/horror-thriller takes the phenomenally successful “Alien” franchise back to its roots: While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe.

Check out the trailer, which hits on all the fun bits we expect with any Alien movie.

While we are now 45 years into this series, it is still nice to have something interesting playing this summer. It is always a spectacular view of space travel until everything goes to hell.