Movie/Book Review: Mickey 17

Credit: St. Martin’s Publishing Group

I recently read the book Mickey7 and thought to myself how it would make a great movie. I guess I was not alone since the movie was already in production.

It is the story of a crew member on a spacecraft who was literally dying to do his job. He performed the most dangerous tasks on the mission and when he died he would be reincarnated as the next version of himself. Hence, the term Mickey7 for the seventh iteration of his being.

So now it seems that Robert Pattinson wants to get in on the act, but this time as Mickey 17, who is therefore a little more experienced with death than the character in the book. The film cast also includes Steven Yeun, Naomi Ackie, Toni Collette, and Mark Ruffalo.

Unfortunately, you will need to wait for the film, which was supposed to be released last month. The Hollywood strike caused it to move to January 2025, much like Dune: Part Two was bumped from has year to this year.

That’s okay. Now you have plenty of time to read the book. Here is the teaser:

Dying isn’t any fun…but at least it’s a living.

Mickey7 is an Expendable: a disposable employee on a human expedition sent to colonize the ice world Niflheim. Whenever there’s a mission that’s too dangerous—even suicidal—the crew turns to Mickey. After one iteration dies, a new body is regenerated with most of his memories intact.

On a routine scouting mission, Mickey7 goes missing and is presumed dead. By the time he returns to the colony base, his fate has been sealed. There’s a new clone, Mickey8, reporting for Expendable duties. The idea of duplicate Expendables is universally loathed, and if caught, they face being recycled into protein to feed a hungry colony. Meanwhile, life on Niflheim is getting worse, and the native species are growing curious about their new neighbors, which has Commander Marshall very afraid. Ultimately, the survival of both lifeforms will come down to Mickey7.

That is, if he can just keep from dying for good.

Movie: Jodorowsky’s Dune

Image (Credit): One of the ships from Jodorowsky’s Dune drawings. (Sony Pictures Classics)

Now that Dune: Part Two is in theaters, it may be worth your time to revisit an earlier attempt to create a Dune movie by Chilean-French filmmaker Alejandro Jodorowsky Prullansky. The 2014 film, Jodorowsky’s Dune, discusses the filmmaker’s elaborate plans in the 1970s to create a 12-20 hour film covering the life of Paul Atreides. The planned combination of surrealistic art (Moebius), contemporary music (Pink Floyd), and stars (from Orson Welles to Dali) were being aligned to create something that might of been magical or just catastrophic. We will never know because the American film industry turned him down, even if they did use some of his ideas for future films such as Star Wars and Aliens.

When the film rights to Dune were sold again and Peter Lynch was given a green light to direct the film, we got the 1984 cultish mess that still haunts the streaming services. In the 2014 flim, Jodorowsky said he watched the Lynch film and was “happy because the picture was awful.’

In terms of the latest Dune films by Canadian filmaker Denis Villeneuve, in an interview Jodorowsky said he saw the trailer for the first Dune film and thought it was “well done” for standard industrial cinema, but noted that “industrial cinema is incompatible with auteur cinema.”

In my opinion, after a failure and then a flop, we are lucky to have the determination of Denis Villeneuve to finally give us a high-quality, memorable Dune. That said, it would have been fun to see Dali as the Emperor.

Movies: Dune and Denis Villeneuve’s Classy Gesture

Image (Credit): Scene from Dune: Part Two. (Warner Bros.)

It was a classy move by the Canadian filmmaker who gave us of this year’s most anticipated movie, Dune: Part Two.

A dying man in northern Quebec had one last wish before he died – he wanted to see the second installment of Denis Villeneuve’s Dune. Once the request appeared on social media, the film team went into action, even offering to fly the man to the film’s premiere in Montreal. But that was two month’s away, and the man could not wait that long nor was the medical team able to move him to another location.

So the film was flown up to Quebec on Villeneuve’s computer laptop for a private showing. The man watched the film and died a few days later.

Asked about this gesture, Villeneuve’s comment was, ““It’s for him, it’s for that man that we make films.”

As I said, classy.

Television: Constellation on Apple TV+

Image (Credit): Noomi Rapace in episode 1 of Constellation. (Apple TV+)

Apple TV+ has a new space station-related drama called Constellation premiering February 21. It sounds pretty eery, but at least this trauma is more at the personal level rather than the planetary level, compared to other recent space station stories.

Here’s the basic story from Apple TV+:

Constellation” stars Noomi Rapace as Jo — an astronaut who returns to Earth after a disaster in space — only to discover that key pieces of her life seem to be missing. The action-packed space adventure is an exploration of the dark edges of human psychology, and one woman’s desperate quest to expose the truth about the hidden history of space travel and recover all that she has lost.

You may remember Ms. Rapace from the film Prometheus, which was its own dark warning about the risks of leaving Earth. This may be just as dark. Watch the trailer as well and then decide for yourself.

It certainly is not a recruitment film for NASA, and space travel seems to be more of a device than the main plot, but I have been happy with Apple TV+ series in the past. So I will be watching this one.

Note: The Roger Ebert site has a lot more detail on the plot if you are interested. The site concludes:

Fans of the many quality science-fiction offerings on Apple TV+ will likely be satisfied by “Constellation.” It’s an interesting space drama with standout performances from its cast…But despite these moving performances, “Constellation” spends too much time floating aimlessly. The show likes to believe it’s clever, but the reality is that it often falls flat.

Movie: Rebel Moon on Netflix

Image (Credit): Movie advertisement for Rebel Moon. (Nexflix)

In an earlier post, I mentioned those movies you don’t need to see until they come to your television. What is even easier is when they start on the television, as is the case with Netflix’s Rebel Moon.

Released in mid-December, and labeled as “Part One: A Child of Fire,” you may be witnessing the start of an interesting new series or the creation of content for it’s own sake. I have yet to decide myself.

Here is the trailer, which tells you a good part of the story. That, and this teaser from Netflix:

When the ruthless forces of the Motherworld threaten a quiet farming village on a distant moon, a mysterious outsider becomes its best hope for survival.

The movie has some decent special effects to go along with the usual well-worn tropes:

  • An empire with troublesome planets at the edges, similar to Star Wars and Foundation? Check.
  • Desert planet hosting an individual important to the empire, similar to Star Wars? Check.
  • Desert planet with wild saloons where you battle bounty hunters and hire rogue ships and pilots, similar to Star Wars? Check.
  • Confused robot not sure about its path, similar to Lost in Space? Check.
  • Ragtag band fighting evil, similar to Guardians of the Galaxy? Check.

The list could go on and on, with elements of Conan the Barbarian, Star Trek’s Borg Queen, Vikings: Valhalla, and Firefly thrown in as well. Oh yeah, and an evil empire where the officers where Nazi SS uniforms and are followed by masked religious figures similar to the ones you see in Dune.

The only redeeming portion of this film comes after the first half when the battle scenes and reincarnation of a key character provide some interesting twists. It may not save the entire effort, but it did add to the fun.

Part Two: The Scargiver will be released on April 19th. It is supposed to be the second and final episode of Rebel Moon.

Will I watch it? Probably. Am I recommending you watch it yourself? Not really, unless you need to kill a few hours. It can be interesting, if only to create your own list of well-worn tropes.