Summer Movies Are Not What They Used To Be

Posted on by onespaceman2000
Credit: Macmillan Publishers

When you consider the weak showing of films this summer, particularly space-related films, its enough to make you give up and go online to revisit the classics. If you do so, you will probably bump into a number of great films that all appeared over eight weeks in the summer of 1982, including E.T. the Extra-Terrestrial, Star Trek: Wrath of Khan, and Blade Runner.

You can read all about this wealth of movie magic that one summer in Chris Nashawaty’s book The Future Was Now: Madmen, Mavericks, and the Epic Sci-Fi Summer of 1982. Here is the pitch for the book:

In the summer of 1982, eight science fiction films were released within six weeks of one another. E.T., Tron, Star Trek: Wrath of Khan, Conan the Barbarian, Blade Runner, Poltergeist, The Thing, and Mad Max: The Road Warrior changed the careers of some of Hollywood’s now biggest names—altering the art of movie-making to this day.

In The Future Was Now, Chris Nashawaty recounts the riotous genesis of these films, featuring an all-star cast of Hollywood luminaries and gadflies alike: Steven Spielberg, at the height of his powers, conceives E.T. as an unlikely family tale, and quietly takes over the troubled production of Poltergeist, a horror film he had been nurturing for years. Ridley Scott, fresh off the success of Alien, tries his hand at an odd Philip K. Dick story that becomes Blade Runner—a box office failure turned cult classic. Similar stories arise for films like Tron, Conan the Barbarian, and The Thing. Taken as a whole, these films show a precarious turning-point in Hollywood history, when baffled film executives finally began to understand the potential of high-concept films with a rabid fanbase, merchandising potential, and endless possible sequels.

Expertly researched, energetically told, and written with an unabashed love for the cinema, The Future Was Now is a chronicle of how the revolution sparked in a galaxy far, far away finally took root and changed Hollywood forever.

Of course, the book may simply depress you when you think of the current state of cinema more than 40 years later. Yes, we have Dune and the nth release of Aliens, but for the most part Hollywood is not offering today’s generation films that make them dream about a different future (and I don’t mean a future with men in spandex).

I just hope we have more up and coming Spielbergs, Scotts, and Dicks out there who read this book and take it as a challenge to make American cinema exciting again.

Television: PBS Documentary on Space Travel

Posted on by onespaceman2000
Credit: Greenwich Entertainment)

If you are looking for a television show on the hazards of space travel, PBS has created a worthwhile documentary titled Space: The Longest Goodbye. It is playing on your local PBS station as well as online.

Here is a little more about the series:

NASA’s goal to send astronauts to Mars would require a three-year absence from Earth, during which communication in real time would be impossible due to the immense distance. Meet the psychologists whose job is to keep astronauts mentally stable in outer space, as they are caught between their dream of reaching new frontiers and the basic human need to stay connected to home.

The series covers various attempts to understand the human mind when constrained to a small place, be it a rocket, a space station, or a planetary/moon base.

The PBS website also has more information on the series as well as comments from the participants. For example, the story “How Science Fiction Confronts the Real Isolation of Space” touches on our favorite movies and television shows to see what they say on the issue, from Black Mirror and For All Mankind to 2001: A Space Odyssey and Alien.

We still have a lot to learn about the human mind before we go any real distance into space or simply sit in place on the Moon or Mars. We may find that equipment challenges are the easiest challenges to resolve in future Artemis missions.

Movie: Alien: Romulus Colonizes Our Summer

Posted on by onespaceman2000
Credit: 20th Century Studios

So far it has been a pretty boring summer in terms of space-related movies, but that will change in August with the release of next Alien film. That’s right, the Alien franchise is still alive and kicking.

Alien: Romulus will be released on August 16th. It will be the seventh film in this series, and set between the events of Alien (1979) and Aliens (1986). Yes, more backstory, but we know what to expect going forwards or backwards with this series. Plenty of stomach-popping surprises for all.

20th Century Studios provides this storyline:

The sci-fi/horror-thriller takes the phenomenally successful “Alien” franchise back to its roots: While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe.

Check out the trailer, which hits on all the fun bits we expect with any Alien movie.

While we are now 45 years into this series, it is still nice to have something interesting playing this summer. It is always a spectacular view of space travel until everything goes to hell.

TV: “Dune: Prophecy”

Posted on by onespaceman2000
Credit: Max

You knew it was coming, just as you knew Game of Thrones would be more than a single series.

That’s right, the Dune movies will have a new spin-off on Max (formerly HBO Max). It is called Dune Prophecy, and it starts long before the time period of the movies. About 10,000 years earlier when two sisters start the Bene Gesserit.

It is inspired by the book Sisterhood of Dune, written by Brian Herbert and Kevin J. Anderson. The trailer tells you what you need to know, yet here is a little bit from the book if you want to dig a little deeper:

It is 83 years after the last thinking machines were destroyed in the Battle of Corrin, after Faykan Butler took the name of Corrino and established himself as the first Emperor of a new Imperium.

The war hero Vorian Atreides has turned his back on politics and Salusa Secundus. The descendants of the disgraced Abulurd Harkonnen have sworn vengeance against Vor, blaming him for the downfall of their noble family.

Raquella Berto-Anirul has formed the Bene Gesserit School and, through a terrible ordeal, has become the first Reverend Mother.

The descendants of Aurelius Venport and Norma Cenva use mutated, spice-saturated Navigators who fly precursors of Heighliners.

And Gilbertus Albans, ward of the hated thinking machine Erasmus, is teaching humans to become Mentats…while hiding an unbelievable secret.

Led by the fanatic Manford Torondo, the Butlerian movement, fiercely opposed to all forms of “dangerous technology,” sweeps across the known universe in mobs, millions strong, destroying everything in its path.

The 6-episode series will premiere this fall.

Original U.S.S. Enterprise Reappears

Posted on by onespaceman2000
Image (Credit): The original Enterprise model, which is made from solid wood. (Heritage Auctions)

You may have thought the original USS Enterprise from the Star Trek series was at the Smithsonian Museum, and you are right. Mostly.

In 1974, the Smithsonian’s National Air and Space Museum became the proud owner of the 11-foot long USS Enterprise model used in the television series. However, there was another model that was used in the opening credits. This other model was only three feet long and made of wood. And, most importantly, it disappeared year’s ago when it was loaned to the studio making the first Star Trek movie (see letter below).

The smaller model then reappeared recently, but this time priced at $1,000 on eBay. After a lot of questions (the model was said to have been in a storage unit that was auctioned off) , it was eventually returned to Eugene “Rod” Roddenberry Jr., the son of the creator of Star Trek.

All is well that ends well. The USS Enterprise model is back with the Roddenberry family and a piece of science fiction history can be shared with public. Mr. Roddenberry said he plans to display this smaller model at the Smithsonian as well:

…I firmly believe that a piece of such importance should not be confined to any private collection. This iconic artifact should be enshrined along side the 12-foot shooting model at the Smithsonian’s National Air and Space Museum, where it can serve to help tell the story of television history, the history of space exploration and ultimately, a beacon of hope for the future.

Image (Credit): Letter from Gene Roddenberry to Paramount Studios regarding his lost USS Enterprise model (therpf.com)