Final Update to my Top Astronomy Stories in 2022

Image (Credit): Singing in the “Domino” episode on The Orville: New Horizons. (Hulu)

I cannot let January end without making one update to my “Top Astronomy Stories in 2022” list. I really need to add Hulu’s The Orville: New Horizons as number 11 on the list. The third season has been much more polished and enjoyable than the first two. After jumping to Hulu and renaming itself, the show has really found its way to being a great addition to the scifi universe.

The last two episodes in particular – “Domino” and “Future Unknown” – were the best of the season. We go through war, sacrifice, death, reconciliation, and even marriage with a crew that is now part of our family. I am still not sure what I think about the role of Dolly Parton in the series, but the Orville’s crew singing in episode 9 (“Flowers Never Bend with the Rainfall” by Simon & Garfunkel) and episode 10 (“Secret o’ Life” by James Taylor) are reason enough to watch these last two episodes.

So what happens next? Do we see a fourth season? It is unclear, even to creator and actor Seth MacFarlane, who had this to say about the future of the series to Den of Geeks:

If we’re lucky, The Orville reaches a stage where we do multiple uninterrupted seasons, and we can end the season knowing that we’re moving into the next. But this was designed to be a wrap up for the season – a bit of an open-ended piece of narrative that allows the various characters any possible number of futures. At the same time, we wanted to tie things up in a nice little bow as much as we could in case we didn’t get picked up.

I hope we can see a fourth season, but as they said in the very title of the last episode – Future Unknown.

Television: SyFy’s New Series The Ark

Credit: SyFy

If you are looking for a new space series beyond the Star Trek and Star Wars iterations, then SyFy’s The Ark may be for you. Premiering February 1st, it has all of the necessary elements: a long space mission, something going wrong, everyone’s fate hanging in the balance, and a heroic effort saving the day. I hope I did not give anything away.

Here is the full story from SyFy:

The Ark takes place 100 years in the future when planetary colonization missions have begun as a necessity to help secure the survival of the human race. The first of these missions on a spacecraft known as Ark One encounters a catastrophic event causing massive destruction and loss of life. With more than a year left to go before reaching their target planet, a lack of life-sustaining supplies and loss of leadership, the remaining crew must become the best versions of themselves to stay on course and survive.

And don’t miss the trailer, which clearly points out that the ship is off course and the captain is dead. The last space series I watched with with this set up was HBO Max’s Avenue 5, but those passengers were only traveling around the solar system. Here the stakes are more like those in Kim Stanley Robinson’s scifi novel Aurora, which involves a multi generation trip to a distant planet. I recommend both the HBO series and novel, but I will need to wait on the roll-out of The Ark to say more about this new series.

I am looking for my next Expanse series, so I will watch The Ark and hope for the best.

Update: My hopes were dashed. The pilot was so bad that I watched the second episode just to be sure. That episode was bad as well. You cannot look at the crew of the Ark and think this is the best hope for humanity. Throughout both episodes all you had was yelling and dysfunctional behavior. Clearly there was no vetting for this crew. If this is the way we ran out submarine fleet then I would expect every sub to be on the bottom of the sea (about three days after launch). The show even has a turtle-necked founder of the Ark mission chatting away as a hologram. I thought we saw this in the movie Don’t Look Up and basically every other movie after that when you need a stand-in villain. I might have continued if SyFy simply billed the TV show as a comedy, yet even that would have problems since no one on the show can act. Oh well, I will await the next series and hope again. I am not giving up.

Credit: Orbit

Reason Magazine Discusses the Space Age

The December issue of Reason Magazine has plenty of fun articles on space travel, the ethics of terra-forming, science fiction books and films, and more. The magazine tends to favor privatization of just about everything, so expect some cheering for space billionaires like Elon Musk and Jeff Bezos, but overall it is a nice collection of thought-provoking articles.

Here is a sample of the articles:

Television: The Origin of All Life via Netflix

Tomorrow, Netflix will premiere a new science program that ties together life on Earth and the origin of the universe. The six-part program, Our Universe, is a BBC project narrated by Morgan Freeman. You can see a trailer of new show here.

We have already had a Blue Planet, a Green Planet, and even an Our Planet to highlight life here on Earth, so maybe this is more “Big Bang Planet” going back a little earlier than these other series.

You can expect similar BBC science series to follow, according to Variety. They include:

  • Life on Our Planet – Coming 2023: 8 episodes narrated by Morgan Freeman
  • Our Oceans – Coming 2024: 5 episodes narrated by Jonathan Smith
  • Our Living World – Coming 2024: 4 episodes narrated by Ben Roy
  • Our Water World – Coming 2025: 5 episodes narrated by Jackie Garbutt

But let’s not get ahead of ourselves. Just tune into tomorrow night’s series and enjoy the show.

Posted in TV

Television: Andor – Finally a Star Wars Story for Adults

Image (Credit): Scene with Diego Luna from Star Wars: Andor. (Lucasfilm)

I am 10 episodes into Disney+’s Star Wars: Andor series and I love it. I am impressed that Disney+ finally dug a little deeper into the Star Wars material to find a new perspective, for now we get to see the Imperial bureaucracy in action.

This is the first of the four new live action Star Wars series that does not lean on the stars from the earlier movies – no Baby Yoda, Luke Skywalker, Princess Leia, Darth Vader, Tusken Raiders, or Jabba the Hutt. Instead, you get an original story, similar to how the Star Wars movie Rouge One took its own path.

Of course, the series has Storm Troopers, but they are there to lock down the period rather than becoming comic relief by allowing our “heroes” to blast away 50 of them at a time while coming away unharmed. Instead, the new series slowly kills off some of the heroes to demonstrate the true stakes involved.

The acting and dialogue is also much improved from earlier Star Wars iterations. Thankfully, Disney kept away from horrible Lucas-talk, never assuming that laser fights would cover over weak dialogue and a flimsy plot. Even the business side of Star Wars here is so much more interesting than the trade federation blather from The Phantom Menace. In Andor, the trade and smuggling is an important and believable thread carefully wound into the overall story.

But best of all, Andor gives us an inside look at Imperial operations. Your massive, mind-numbing bureaucracy here represents a form of slavery within the machine doing the oppressing. The back-biting among the off-white-clad officers of the Imperial Security Bureau is fun to behold, even without a Darth Vader ending each meeting with someone being choked to death.

The Imperial “justice” system is another fascinating story line, showing how the Empire’s reaction to terrorist attacks leads to gang-pressing innocent citizens. It’s a perfect merging of Putin and a Tesla factory. All the while, political intrigue continues in the Senate and family dynamics are used as a poisonous glue.

This is not to say the series lacks action scenes. If you are looking for shootouts and space battles, they are in the story. But they assist the plot rather than being the main plot. Andor is about the people (software) behind the Empire more than the hardware.

I am not saying all of the spin-off series need to follow the Andor model. I’m just glad an Andor exists at all. It’s about time the adults had something to watch that meshes more with their reality – less flash, more angst. You can put Baby Yoda to bed with the kids and stay up late with Andor.

I look forward to watching the remaining two episodes of this season as well as the next and final season. I also ask Disney to keep the adults in mind as it develops more Star Wars programs. You have an eager fan base.

Image (Credit): Scene with Denise Gough from Star Wars: Andor. (Lucasfilm)