Television: Constellation on Apple TV+

Image (Credit): Noomi Rapace in episode 1 of Constellation. (Apple TV+)

Apple TV+ has a new space station-related drama called Constellation premiering February 21. It sounds pretty eery, but at least this trauma is more at the personal level rather than the planetary level, compared to other recent space station stories.

Here’s the basic story from Apple TV+:

Constellation” stars Noomi Rapace as Jo — an astronaut who returns to Earth after a disaster in space — only to discover that key pieces of her life seem to be missing. The action-packed space adventure is an exploration of the dark edges of human psychology, and one woman’s desperate quest to expose the truth about the hidden history of space travel and recover all that she has lost.

You may remember Ms. Rapace from the film Prometheus, which was its own dark warning about the risks of leaving Earth. This may be just as dark. Watch the trailer as well and then decide for yourself.

It certainly is not a recruitment film for NASA, and space travel seems to be more of a device than the main plot, but I have been happy with Apple TV+ series in the past. So I will be watching this one.

Note: The Roger Ebert site has a lot more detail on the plot if you are interested. The site concludes:

Fans of the many quality science-fiction offerings on Apple TV+ will likely be satisfied by “Constellation.” It’s an interesting space drama with standout performances from its cast…But despite these moving performances, “Constellation” spends too much time floating aimlessly. The show likes to believe it’s clever, but the reality is that it often falls flat.

Television: A Murder at the End of the World

Image (Credit): Scene from episode five of A Murder a the End of the World. (Hulu)

If you are looking for a new television series, you cannot go wrong with FX’s A Murder at the End of the World. You can catch it on Hulu.

Here is the paltry description from Hulu:

A young woman accepts a mysterious invitation from a billionaire and his wife.

Fortunately, the FX trailer is better (as is the trailer description):

A Murder at the End of the World is a mystery series featuring a Gen Z amateur sleuth and tech-savvy hacker “Darby Hart.” Darby and eight other guests are invited by a reclusive billionaire to participate in a retreat at a remote location. When one of the other guests is found dead, Darby must use her skills to prove it was murder before the killer takes another life.

However, even this longer description is too minimal and does not encourage an audience. I have watched six of the seven episodes and can say (without spoiling anything) that the retreat itself as well as the underlying purpose of the retreat may remind you of space colonies and their issues. It might also remind you of present day billionaires who want to hide from the world they have helped to create (think Don’t Look Up.)

The series is already on some of the top 10 lists for 2023, and I expect it will be on mine as well, as long as it has a good finale.

If you like murder mysteries, it is for you. If you like love stories, ditto. Technology, ditto. And if you miss shows that touch on space travel, this has enough sci-fi elements in that realm to keep you interested.

Update: I can report that the series had a great ending. Give it a try if you are looking for a new show. You will not be disappointed.

Space Quote: The Megachurch Called Star Trek

Credit: Gallery Books

“Yes. I see it very, very clearly and very strongly. It was about truth and fairness and honesty and respect for others, no matter who they were or what strange alien creature they looked like. That was immaterial. They were alive. And if they needed help, Jean-Luc Picard and his crew, his team, were there to give it. So, yes, in a sense, we were ministers. And I have heard now so many times from individuals who have been honest enough and brave enough to tell me aspects of their life, of their health, of their mental health, and how it was all saved and improved by watching every week.”

-Actor Patrick Stewart in an interview with NPR responding to a question about whether he has noticed the fans’ religion-like reverence for Star Trek: The Next Generation. The conversation follows the release of Mr. Stewart’s new memoir, Making It So.

Television/Book Review: Beacon 23

You probably already subscribe to half a dozen streaming platforms, but does it include MGM+ (formerly known as Epix)? If not, you will miss the November 12th premiere of a new eight-episode series called Beacon 23.

Here is the basic story from MGM+ (and here is the trailer):

Beacon 23 takes place in the farthest reaches of the Milky Way and follows Aster (Lena Headey), a government agent, and Halan (Stephan James), a stoic ex-military man, whose fates become entangled after they find themselves trapped together inside one of many Beacons that serve as a lighthouse for intergalactic travelers. Every Beacon is run by one highly trained human and a specialized Artificial Intelligence. Aster mysteriously finds her way to the lonely Beacon-keeper Halan, and a tense battle of wills unfolds. Halan begins to question whether Aster is friend or foe, as her ability to disguise her agenda and motives could make her a formidable opponent.

It looks intriguing. And the anticipation has been building since this project was announced more than two-and-a-half years ago (in the middle of Covid). Luckily, not even the writers strike killed this one.

It is based on the book of the same name, which had good reviews. Here are a few comments on the book:

It’s a quick, easy read, especially since most of the events involve only one character. It’s quite good in its way, too, a bit like “The Martian” if the astronaut in that novel had just kind of hung out back in the Hab without working very hard on his survival. Our hero is flawed, hailed for an act that he views as cowardly, and in the end readers are left to wonder if he’s actually a hero or a fool. (The Oklahoman)

It’s a book for adult readers, but I think younger readers would have a lot of fun with it. The voice is irresistible and it’s both funny and sad. In some ways it’s a cross between Andy Weir’s The Martian and David Bowie’s Space Oddity. Beacon 23 tells the story of a man whose job it is to stand sentry in what is effectively an interstellar lighthouse, making sure passing ships don’t crash into nearby asteroids. The main character’s name is never given, and the story is told in the first person so it could almost be anyone’s story. It’s very easy to relate to the narrator who is ex-military and living out his retirement all alone in the beacon with only his thoughts and the odd (often wry and hilarious) communications with NASA to keep him company. (Luna Station Quarterly)

Beacon 23 is a loose combination of Dark Star and The Martian. At times I found the story very funny, particularly the dialogue with Rocky, as well as some interesting interchanges with NASA, imagined and real. There are also the inevitable technical issues to overcome when you are on your own and help is not an inconsiderable distance away. And to top it all the Operator of Beacon 23 is almost certainly suffering from Post Traumatic Stress Disorder, or in his own words “…just a little bit crazy.” (Book Lore)

I guess the key point in all of these is that the story reminds them of The Martian. All you need now is one more streaming platform. Or you can await broader distribution of the series. Whichever way you go, this one may be worth a second look.

Television: The First Season of Star Wars: Ahsoka

Image (Credit): The main character Ahsoka. (Disney)

So now that I have seen the full series of the Star Wars TV series Ahsoka, I can say that it was better than I expected. However, it was pretty slow all the way up until episode 6 when a another galaxy far, far away was introduced.

The first five episodes where slow, predictable, and almost had the feeling of a fan-created film. Everything from the dialogue to the uniforms to the spacecraft was odd. And creating a female-based story that merely mimics earlier tropes, such as the first episode with Ashoka playing Indiana Jones and Sabine Wren playing a disgruntled teenage (much like the younger Luke Skywalker), was a bit too much. Plus, the idea that these women were pining for a lost boyfriend (Ezra) who they needed to save was the cherry on top of a collapsing pile of mess.

The presence of Anakin Skywalker mid-series did not enhance my feelings towards the show. More than anything, I found it confusing. Why is this show trying to resurrect the reputation of a man who slaughtered children in a Jedi daycare and murdered millions by blowing up planets? Did the creators really need a cameo that bad that they would sink to that level?

Only with episode six with the Grand Admiral “Papa Smurf” Thrawn and his Macbeth-like witches did the series become interesting, though I do not know why the storm troopers were unable to wash their armor and the Imperial Star Destroyer was painted up like a hippie van. And did the creatures on the planet remind you of gentle Jawas and warlike Sand People, or is that just me?

Anyway, I will give the show another chance now that I know what is possible, though I would not say this was the strongest showing by Disney. That said, it was better than some of the other Star Wars spin-offs.

Here is my ranking of all the Star Wars live-action series to date:

  1. Andor
  2. The Mandalorian
  3. Ahsoka
  4. The Book of Boba Fett
  5. Obi-Wan Kenobi

I have many more comments about the new series, but I will leave it there. I am dropping in a few more comments I found that parallel mine to some degree.

At least we still have “Andor.”
Ben Travers, indieWire

No matter how hard it strives for widespread accessibility, it’s a sequel that will be of primary interest to established fans.
Nick Schager, The Daily Beast

At a time when audiences have thinning patience both for super-heroics and too much fan service, Ahsoka will still need to raise its game to prove it’s more than wish fulfillment for longtime Star Wars fans.
Eric Deggans, NPR