The recent film The Astronaut did not stay in theaters very long, but then again very few films do these days. Even so, if you are looking for something inspiring, such as a space adventure that takes us away from Earth, you will be disappointed. This astronaut is from the International Space Station, not Mars, so we do not even make it to the Moon.
If the trailer is not clear enough, here is the main story from Deadline:
When astronaut Sam Walker (Mara) returns from her first space mission, she’s found miraculously alive in a punctured capsule floating deep off the coast of the Atlantic Ocean. General William Harris (Fishburne) arranges for her to be placed under intense NASA surveillance in a high security house for rehabilitation and medical testing. However, when disturbing occurrences begin happening around the property, she fears that something extraterrestrial has followed her back to Earth.
Without giving away the whole plot, just think of it as a gruesome ET: The Extraterrestrial. Critics were not impressed, with the Tomatometer showing only 42 percent approval. In general, a rating between 40 and 59 percent is considered mixed or mediocre, with the average film achieving something in the low 70s.
Matt Donato from Collider did not have high praise for writer/director Jess Varley’s first film:
The Astronaut has sky-high ambitions that go up in flames during the home stretch. Everything’s chugging along fine, then the tone implodes, and Varley’s command over scenes disintegrates...I haven’t seen a movie shoot itself in the foot like this in a wee bit, and that’s a shame.
The selection of films of this genre are slim, so you may have a desire to see it anyway. That’s fine, but you have been warned.
If you have questions about UFOs, now fashionable called Unidentified Anomalous Phenomena (UAP) to presumably add some seriousness and move it away from the kooky crowd, you might want to check out the upcoming film The Age of Disclosure. It will be available on November 21 on Amazon Prime as well as at select theaters.
Here is the trailer, which might entice you. It has the draw of many entertainment thrillers, and reminds me of the endless videos on YouTube and even Netflix describing secrets only a few know. It comes across as an updated version of the search for Bigfoot and the Arch of the Covenant rolled into one.
The film description states:
The Age of Disclosure is an unprecedented and revelatory film –featuring 34 senior members of the U.S. Government, military, and intelligence community– revealing a cover-up of the existence of non-human intelligent life and a secret war to reverse engineer technology of non-human origin.
The film exposes the profound impact the situation has on the future of humanity, while providing a look behind-the-scenes with those at the forefront of the bi-partisan disclosure effort.
An explosive documentary that reveals an 80-year global cover-up of non-human intelligent life and a secret war among major nations to reverse-engineer advanced technology of non-human origin. Featuring testimony from 34 U.S. Government, military, and intelligence community insiders, the film exposes the profound stakes for the future of humanity.
One of the officials in the trailer is Senator Marco Rubio, now Secretary of State Rubio. If there is any bit of truth to all of this, we should be asking for these UAP files instead of the Epstein files.
The films creator, Dan Farah, was on Real Time with Bill Maher last week discussing the film. You can find the podcast here. Mr. Farah discusses how these non-human actors live in the sea and seem to have appeared right around the time the nuclear age started. Of course, this is also after World War II when new forms of flight and related spying was underway, but why mess up the story.
Mr. Farah also seems surprised they are seen around our military facilities, as if this would not be a prime target for any outside party, human or otherwise. He then states:
…there’s been a few events where UAP activity over nuclear weapon sites has activated the missiles in some case and then turned them off in some cases. And it’s obviously a display of power of some sort. You know, your guess is as good as mine of what the intention is, but it’s concerning.
All of this sounds pretty amazing, yet I think it is more an amazing paste job of various quotes that are then repurposed to create a more dramatic story. For that reason, it may be better for the uninitiated, or just the regular newspaper readers who do not get their news from social media, to first go through the material from the very group set up to study all of this, the All-domain Anomaly Resolution Office, as well as various congressional hearings on this matter. Then you can make up your own mind.
Here are a few congressional hearings to get you started on your search:
We already have too many conspiracies upsetting the public and breeding mistrust of all government entities. Its time to breath and read up on this material yourself.
Science arouses a soaring sense of wonder. But so does pseudoscience. Sparse and poor popularizations of science abandon ecological niches that pseudoscience promptly fills. If it were widely understood that claims to knowledge require adequate evidence before they can be accepted, there would be no room for pseudoscience. But a kind of Gresham’s Law prevails in popular culture by which bad science drives out good.
Image (Credit): June Lockhart in the television series Lost in Space. (20th Century Fox Television)
Actress June Lockhart passed away last Thursday at the age of 100. She had a storied career in both movies and television, including the 1960s television shows Lassie and Lost inSpace.
Lost in Space was a somewhat silly story about the Robinson family migrating from an overpopulated Earth to a exoplanet orbiting Alpha Centauri. Of course, just like the story in Gilligan’s Island, the five-and-a-half year tour turned into a new adventure among the stars.
The show was best known for the robot always spouting “Danger, Will Robinson!” in reference to the son whose mother was played by June Lockhart. Of course, Star Trek premiered during that same period with some of the same silliness. It seems we did not achieve our darker sentiments about humans in space until somewhat later.
With regard to her time with Lost in Space, Ms. Lockhart stated to Fox News:
I was over the moon – pun intended. … I have been told that my contribution inspired many astronauts to pursue a career in space science and exploration … it is lovely to know that I touched so many people by doing things that interested me!
The 1998 movie Lost in Space did little to revive interest in the series (or space from what I can tell), but the Neflix television series of the same name did a nice job bringing the Robinson family back to life. If you are looking for a great updated adventure story about a boy and his robot traveling through space, you might want to start with the Netflix version.
You can read more on Ms. Lockhart’s life and career at these sites:
Image (Credit): Scene from the movie The Mandalorian and Grogu. (Lucasfilm, Ltd.)
While have waited long enough for a new season of The Mandalorian, it appears we will need to settle for a movie instead. The Mandalorian and Grogu will premiere in theaters on May 22, 2026.
The movie trailer dropped earlier this week. It is everything you might expect, but it almost has an Andor feel to it. Add to that the scene of a destroyed All Terrain Armored Transport, and you have everything you need to tie this into the best of Star Wars.
The evil Empire has fallen, and Imperial warlords remain scattered throughout the galaxy. As the fledgling New Republic works to protect everything the Rebellion fought for, they have enlisted the help of legendary Mandalorian bounty hunter Din Djarin (Pedro Pascal) and his young apprentice Grogu.
That’s not too deep, which is perfect. We do not need trade wars and such – that is too close to the newspaper stories today. We need something fun in a galaxy far, far away.
And maybe, just maybe, this new film can re-energize the Star Wars films again. Cute and simple is probably the recipe for films over the next few years, if only to give everyone a safe harbor from reality.
image (Credit): The eye of HAL 9000 from 2001: A Space Odyssey. (Stanley Kubrick Productions)
Is it possible the space station engineers in China failed to watch Stanley Kubrick’ film 2001: A Space Odyssey?
I ask this because earlier this summer the Chinese government installed an artificial intelligence chatbot named Wukong on the Tiangong space station. It is designed to assist the taikonauts with navigation and tactical information planning.
Wukong AI assisted the crew on a six-and-a-half-hour mission, which involved taikonauts installing space debris protection devices during a spacewalk and performing a routine inspection of the station.
Doesn’t that sound a little like the situation in the movie involving the supercomputer HAL 9000, when HAL had a different idea about its role in the mission? I’m not sure I would be comfortable leaving the space station.
The same story also highlights how the International Space Station has its own computer helpers, including small flying Astrobees that can assist the astronauts with routine tasks.
Forbes magazine reported that NASA is already conducting “war games” with these Astrobee robots to see if they can be used for offensive purposes to protect the astronauts. What could go wrong?
These are interesting times with AI and robots on Earth and in space. I just hope the engineers have time to watch a few science fiction movies as well to prepare for that future.
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