Sci-Fi Stories: Grogu Goes Down, Spielberg’s Summer of Nonfiction Science Fiction, and Star City Shines

Posted on by onespaceman2000
Credit: Lucasfilm Ltd.

Here are a few sci-fi stories of interest.

—Forbes: “‘Mandalorian And Grogu’ Tumbles Out Of Top 5 After 61% Drop At Box Office“

Star Wars: The Mandalorian and Grogu” is struggling at the box office, dropping 61% in its third weekend and falling out of the domestic top five. The Jon Favreau-directed film had a soft opening, earning $98 million over Memorial Day, less than 2018’s Solo, and suffered a 69% second-weekend drop. Now projected for $9.5 million, its domestic total nears $155.3 million against a $165 million production budget. It faces stiff competition from new releases like “Scary Movie” and “Masters of the Universe.” Furthermore, low-budget indie hits like A24’s “Backrooms” and Focus Features’ “Obsession” are outperforming it, alongside a strong $22.1 million debut from YouTube’s “The Amazing Digital Circus.”

—Associated Press: “Steven Spielberg on His Faith in Alien Life, the Future of the Movies and the Power of Empathy“

“It’s my first film that will be considered science fiction that I do not consider to be science fiction,” Spielberg said in a recent interview. “It’s much more reflective of the world as it is evolving and discoveries that are being made as we speak.” Spielberg, at 79, is trying to revive and reconsider the alien wonder that’s long lingered in his mind, from “E.T.” to “War of the Worlds.” “Disclosure Day,” Spielberg’s first summer movie in a decade, is already being hailed as one of his best in years. But this time, Spielberg is testing whether he can conjure some of his trademark movie magic less with imagination than with conviction.

—Variety: “Apple TV’s ‘For All Mankind’ Spinoff ‘Star City’ Is a Flawless Alt-History Thriller: TV Review“

While the talk of space, science and ships orbits surround the narrative, “Star City” is riveting because of its characters. For fear of sabotage, death or something even worse, no one in Star City can reveal who they truly are. Instead, the audience is offered glimmers of the truth here and there, which act as puzzle pieces throughout the eight-episode first season. (Critics received five for review.) Cloaked in a gloomy gray tone coloring for a prison-like setting, “Star City” creators unveil not simply a stifling world, but one on the verge of consuming itself and its genius with tyranny and ghastly rigidity.